Ruskin coined the term "pathetic fallacy" to attack the sentimentality that was common to the poetry of the late 18th century, and which was was rampant among poets including Burns, Blake, Wordsworth, Shelley and Keats. Wordsworth supported this use of personification based on emotion by claiming that “objects … derive their influence not from properties inherent in them … but from such as are bestowed upon them by the minds of those who are conversant with or affected by these objects.”[8] However Tennyson, in his own poetry, began to refine and diminish such expressions, and introduced an emphasis on what might be called a more scientific comparison of objects in terms of sense perception. The old order was beginning to be replaced by the new just as Ruskin addressed the matter, and the use of the pathetic fallacy markedly began to disappear. As a critic, Ruskin proved influential and is credited with having helped to refine poetic expression.[5]
The meaning of the term has changed significantly from the idea Ruskin had in mind.[9] Ruskin’s original definition is “emotional falseness”, or the falseness that occurs to one’s perceptions when influenced by violent or heightened emotion. For example, when a person is unhinged by grief, the clouds might seem darker than they are, or perhaps mournful or perhaps even uncaring.[2][10]
There have been other changes to Ruskin’s phrase since he coined it: The particular definition that Ruskin used for the word “fallacy” has since become obsolete. The word “fallacy” nowadays is defined as an example of a flawed logic, but for Ruskin and writers of the 19th century and earlier, “fallacy” could be used to mean simply a “falseness”.[11] In the same way, the word “pathetic” simply meant for Ruskin “emotional” or “pertaining to emotion”.[12]
Setting aside Ruskin’s original intentions, and despite this linguistic 'rocky road', the two-word phrase has survived, though with a significantly altered meaning.
ምንም አስተያየቶች የሉም:
አስተያየት ይለጥፉ